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... the Lamb and the Tyger also resembles the idea of when a beautiful thing like love can turn into an ugly thing like hate. The Tyger is obviously a representation of evil and of darkness. In Blake’s words, it is also apparent that the Tyger is somewhat of a puzzle, or an enigma, if you will. It is a mysterious beast with unknown origins. It seems that the Tyger is a result of something inhumane, whereas the Lamb is a direct product of Christ. According to the poet himself, the Tyger is somewhat “immortal” and out of this world: “..What immortal hand or eye./Could frame they fearful symmetry?” (lines 3-4) Blake requires the reader to ponder the very roots of the Tyger; he leaves us ...
... excuse for attending to anything else. The urgency of the moment rules. "Are beds prepared for sleepers at night in the houses? no sleepers must sleep in those beds", "Make no parley - stop for no expostulation." "Let not the child's voice be heard, nor the mother's entreaties, Make even the trestles to shake the dead where they lie awaiting the hearses,". In "The Arsenal at Springfield", Longfellow notes the senselessness of war. "The cries of agony, the endless groan, Which, through the ages that have gone before us, In long reverberations reach our own." He also indicates that war could be avoided if man would be more caring and try harder to avoid it. ""Were half the power, ...
... that was liable to topple over into some delirium or an abyss of melancholy, from the continuity of one unvaried emotion.” Edgar Allen Poe, author of “The Raven,” played on the reader's emotions. The man in “ The Raven” was attempting to find comfort from the remembrance of his lost love. By turning his mind to Lenore and recalling how her frame will never again bless the chair in which he now reposes, he is suddenly overcome with grief, whereby the reader immediately feels sorry for the lonely man. The reader pities the man's state of mind. In addition to an emotional characteristic, Poe also portrays the exotic. Exotic means “unnatural”. Exotic means a raven that speak ...
... as a guide 2. Controls the characters through his introduction of each age B. Others support Malin's theories by drawing from past, present, and potential future experiences C. The ages 1. The first age a. Malin asks the reader to "Behold the infant" b. Child is "helpless in cradle and / Righteous still" but already has a "Dread in his dreams" 2. The second age a. Youth, as Malin describes it b. Age at which man realizes "his life-bet with a lying self" c. Naive belief in self and place in life is boundless d. It is the age of belief in the possibility of a ...
... because it can drastically change the meaning of the poem, and has therefore been debated among the critics. While most critics believe that the audience changes from men, to women, then to a single woman, or something along those lines, Gregory Machacek believes that the audience remains throughout the poem as "two women who have discovered that they are both lovers of the speaker and have confronted him concerning his infidelity" (1). His strongest argument is that when the speaker says, "I can love her, and her, and you and you," he first points out two random nearby women for "her, and her", then at the two that he is talking to for "you and you." The first stanza begins rathe ...
... could be both absolutely precise in what it referred to physically and at the same time endlessly suggestive in the meanings it set up because of its relationship to other images. Eliot's real novelty was his deliberate elimination of all merely connective and transitional passages, his building up of the total pattern of meaning through the immediate comparison of images without overt explanation of what they are doing, together with his use of indirect references to other works of literature (some at times quite obscure). Eliot starts his poem "The Hollow Men" with a quote from Joseph Conrad's novel the Heart of Darkness. The line "Mistah Kurtz-he dead" refers to a Mr. Kurtz who was ...
... feelings on the events of her life. Anne Bradstreet’s poem An Author to Her Book explains Bradstreet’s anger towards her brother-in- law for publishingher personal poetry without her permission. In this poem Bradstreet uses a combination of a metaphore, a paradox, and other literary devices to express her anger. Bradstreet expresses her anger mostly through the extended metaphore which flows throughout the poem. This extended metaphore compares Bradstreet’s poetry to an ill-formed child. “Thou ill-formed offspring of my feeble brain,/ Who after birth didst by my side remain,/ Till snatched from thence by friends, less wise than true,/ Who thee abroad, exposed to public view”(1-4). ...
... Where ignorant armies clash by night” (Arnold, 830-831). Matthew Arnold gives his views on life, love and the world. He explains that the world is similar to a land of dreams, and that it is something beautiful and peaceful, but in actuality, Arnold says that it is not. Arnold states that we are like the waves that crash and hit the shore, struggling and fighting for our place on this earth. He says that love is the cure for all of the struggling and fighting that takes place on earth. Love is the only thing that he can rely on right now, even though his love is not in his life. Love is Arnold's way of escaping the harsh realities in life. He says that life is a str ...
... despairs, Where Beauty cannot keep her lustrous eyes Or new Love pine at them beyond tomorrow. Away! Away! for I will fly to thee, Not charioted by Becchus and his pards, But on the viewless wings of poesy, Though the dull brain perplexes and retards: Already with thee! tender is the night, And haply the Queen-Moon is on her throne, Clustered around by all her starry Fays; But here there is no light, Save what from heaven is with the breezes blown Through verdurous glooms and winding mossy ways. I cannot see what flowers are at my feet, Nor what soft incense hangs upon the boughs, But, in embalmet darkness, guess each sweet Wherewith the seasonable month endows The grass, the thicket, ...
... with tuberculosis. After Tom's death in December he moved into a friend's house in Hampstead, now known as Keats House. There he met and fell deeply in love with a young neighbour, Fanny Brawne. During the following year, despite ill health and financial problems, he wrote an astonishing amount of poetry, including `The Eve of St Agnes', `La Belle Dame sans Merci', `Ode to a Nightingale' and `To Autumn'. His second volume of poems appeared in July 1820; soon afterwards, by now very ill with tuberculosis, he set off with a friend to Italy, where he died the following February. Keats wrote 'To Autumn' directly after abandoning 'The Fall of Hyperion', during September of 1819. It is among t ...
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