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... then we must rely on the protection of our Shepherd, God. Why would Blake call us a Lamb then? Aren't we stronger than any other animal upon this earth? I think that God would tell us "No," for it is He who gives us life strength, as Blake says in the next few lines… Gave thee life & bid thee feed, By the stream & o're the mead; Gave thee clothing of delight, Softest clothing wooly bright, What strength could man have without the gifts of God: life, food, clothing. We would have none! And Jesus said to them, "I am the bread of life. He who comes to Me shall never hunger, and he who believes in Me shall never thirst." John 6:33 William Blake saw that the individual man was so removed fro ...
... and he struggled with his own doubts about the existence of God. We glimpse much of his struggles in the poem In Memorial A. H. H., written in memory of his deceased friend, Arthur Hallam. The poem seemed to be cathartic for Tennyson, for through its writing he not only found an outlet for his grief over Hallam's death, but also managed to regain the faith which seemed at times to have abandoned him. Tennyson regained and firmly reestablished his faith through the formation of the idea that God is reconciled with the mechanistic universe through a divine plan of evolution, with Hallam as the potential link to a greater race of humans yet to come. In the first of many lyric units ...
... Something I hardly understand, But I must tell you how I feel. So I close my eyes, And let my heart guide my hand. Perhaps the tears that falls from my eyes, Will show you my love and how much it means to me. To me our love is everything. I believe love will find it's way and show us the answers To the questions being revealed, I promise you that I will always love you And I never meant to hurt you. I know you love me, I can see it in your eyes and feel it in your touch, I promise I will never forget it. For out of everything in my life I have earned and acquired, ...
... beliefs and situations. Thus, the use of physical artifacts provides a freedom to express that which the characters in each poem lacks in their lives. Though unable to grasp the images that they create, each character in the poems gains a sense of self awareness. These utopian moments expressed by the creations are frozen, images that surpass the lives of their creators and remain intact with meaning. Through the utilization of physical artifacts, Aunt Jennifer and the Ornament maker depict idealized situations through the use of visual imagery, applying symbolism onto the physical artifacts in turn allowing the grasp of self awareness. In each poem visual imagery is expressed throu ...
... This depiction of the auto wreck is extravag ant and almost unreal. Using metaphors, Shapiro portrays the fantasy-like auto wreck in which wildness is indispensable. In addition to Shapiro's use of metaphorical phrases, he emphasizes the lack of comprehension of the on-lookers as a result of death's inconsistency with logic. Shapiro directly tells the reader, "We are deranged." The word "we" symbolizes u s, as a whole institution or better yet -- society. He goes on further to say, "Our throats were tight as tourniquets." By this he means that the on-lookers were stopped, almost speechless, as they gazed upon the wreckage contemplating the reason b ehind death. Finally, ...
... closed out - signals that her life is not quite complete. Perhaps she has not succeeded in gaining final closure. There comes a time in life when it is necessary to conclude that the focus of existence is complete and decide what to do with the times that follow. The speaker considers the time following this conclusion a period for closure while waiting for her death to arrive. In lines 2-4: “The Stillness in the Room Was like the Stillness in the Air-Between the Heaves of Storm-” Dickinson is using the metaphor of time between storms. The storm of life represents the trails of the speaker’s physical known surroundings and the storm of death represents the unknown trials of dying. The ...
... as money is to those that do not have it. In the second stanza it seems she speaks of what she was thinking as she touched the “Curious Wine” “’Twas this on Tables I had seen” tells of how she had seen wealth often, so her hunger was not for the unknown but the inexperienced. “Windows” tells of how she knew the wealth. She saw it but never touched it, she viewed it but never got an inch closer then she was the day before. It wasn’t just the fact that she saw the wealth from the “Windows” but that there was a vast amount of it, shown with the usage of the word “Wealth” which can mean vastness. This seeing of it had made her give up hope. Shown in the lines “I looked in the Windows, for t ...
... to immortalize the subjects of their poems by writing them down in verses for people to read for generations to come. By doing so, both of the poets are preserving the beauty of the subjects, which are the young friend of Shakespeare and Keats' "Grecian Urn." Beginning with Sonnet 18, and continuing here and there throughout the first major grouping of sonnets, Shakespeare approaches the problem of mutability and the effects of time upon his beloved friend in a different fashion. Instead of addressing the problem of old age, he emphasises his friend's attributes: "Shall I compare thee to a summer's day? Thou art more lovely and more temperate... (lines 1-2)" Though time and death w ...
... thou think'st thou dost overthrow/ Die not, poor Death, nor yet canst thou kill me" (ll 2-4), Donne defies death's power. He is so bold as to mock death, calling it "poor death" (l 4), giving death the sense and personification of being deficient in that it cannot kill Donne. In the second quatrain, Donne continues his critique of death. He questions death that if sleep or rest is a pleasure of life, then what greater pleasure can death bring? "Much pleasure, then from thee much pleasure must flow" (l 6). Donne also gives death credit that even the virtuous go with death, "And soonest our best men with thee do go" (l 7), to be delivered to an eternal rest and their soul's salvation, " ...
... “plump” appearing as a verb and wonderfully solid and nutty to touch (line 7). The last three lines in the first stanza move heavily and lazily to that most summary of the sounds; the distant buzzing of bees, “later flowers for the bees” (line 9). The low sibilants and thrice repeated the sound of “mm” of the last line bring hearing activity into play, along with the sight, taste and touch are mobilized by the stanza, so that all senses are united in the act of vigorous response. The rhythm mounts slowly through the single sentence of the stanza, accumulated impressions and a sense of energetic and continuing life. In the second stanza, Keats populates the landscape and finds the c ...
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